Claudia Rankine
Claudia Rankine is the author of five books of poetry, including Citizen: An American Lyric and Don’t Let Me Be Lonely: An American Lyric; three plays including HELP, which premiered in March 2020 (The Shed, NYC), and The White Card, which premiered in February 2018 (ArtsEmerson/ American Repertory Theater) and was published by Graywolf Press in 2019; as well as numerous video collaborations. Her collection of essays, Just Us: An American Conversation, was published by Graywolf Press in 2020 and her most recent project TRIAGE is forthcoming with them in 2026. She is also the co-editor of several anthologies including The Racial Imaginary: Writers on Race in the Life of the Mind. In 2016, Rankine co-founded The Racial Imaginary Institute (TRII). Among her numerous awards and honors, Rankine is the recipient of the Bobbitt National Prize for Poetry, the Poets & Writers’ Jackson Poetry Prize, and fellowships from the Guggenheim Foundation, the Lannan Foundation, the MacArthur Foundation, United States Artists, and the National Endowment of the Arts. A former Chancellor of the Academy of American Poets, Claudia Rankine joined the NYU Creative Writing Program in Fall 2021. She lives in New York.
Excerpt from Citizen: “You are in the dark, in the car…” by Claudia Rankine
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You are in the dark, in the car, watching the black-tarred street being swallowed by speed; he tells you his dean is making him hire a person of color when there are so many great writers out there.
You think maybe this is an experiment and you are being tested or retroactively insulted or you have done something that communicates this is an okay conversation to be having.
Why do you feel okay saying this to me? You wish the light would turn red or a police siren would go off so you could slam on the brakes, slam into the car ahead of you, be propelled forward so quickly both your faces would suddenly be exposed to the wind.
As usual you drive straight through the moment with the expected backing off of what was previously said. It is not only that confrontation is headache producing; it is also that you have a destination that doesn’t include acting like this moment isn’t inhabitable, hasn’t happened before, and the before isn’t part of the now as the night darkens and the time shortens between where we are and where we are going.
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When you arrive in your driveway and turn off the car, you remain behind the wheel another ten minutes. You fear the night is being locked in and coded on a cellular level and want time to function as a power wash. Sitting there staring at the closed garage door you are reminded that a friend once told you there exists a medical term — John Henryism — for people exposed to stresses stemming from racism. They achieve themselves to death trying to dodge the build up of erasure. Sherman James, the researcher who came up with the term, claimed the physiological costs were high. You hope by sitting in silence you are bucking the trend.
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Continue reading from Citizen at the Poetry Foundation website.
Links
- “‘Help’ Review: Blindfolds (and Kid Gloves) Off. Let’s Analyze Whiteness” by Naveen Kumar. The New York Times. March 24, 2022.
- “Claudia Rankine in Banff: On White Supremacy, Art and America” by Leah Sandals. Canadianart. August 17, 2017.
- “Claudia Rankine: ‘Blackness in the white imagination has nothing to do with black people’” by Kate Kellaway. The Guardian. December 27, 2015.
Media
A Dream Deferred: Black in the U.S.A. | April 12, 2016
Claudia Rankine Seminar
A Dream Deferred: Black in the U.S.A. | April 12, 2016
Claudia Rankine Reading