Ammiel
Alcalay is a a poet, translator, critic and scholar. He teaches at Queens
College and is former chair of Classical, Middle Eastern & Asian
Languages & Cultures; he is on the faculties in American Studies,
Comparative Literature, English, and Medieval Studies at the CUNY Graduate
Center. After Jews and Arabs: Remaking Levantine Culture (UMinnesota
Press, 1993), was chosen as one of the top 25 books of 1993 by The Village
Voice and named to the year's notable list by The Independent in London.
For/Za Sarajevo, a bi-lingual English and Croatian collection he edited,
was named by Art Forum as one of 1993s top 10 choices. Other books include
Memories of Our Future: Essays 1982-1999, from City Lights.
During
the war in former Yugoslavia, Alcalay was a primary source for providing
access in the American media to Bosnian voices. He edited and co-translated
Zlatko Dizdarevic's Sarajevo: A War Journal (Henry Holt, 1994)
and Portraits of Sarajevo (Fromm, 1995). He was responsible
for publication of the first survivors account in English from a victim
held in a Serb concentration camp, The Tenth Circle of Hell
by Rezak Hukanovic (Basic Books, 1996), which he co-translated and edited.
He edited and co-translated a major anthology of contemporary Middle
Eastern Jewish writing, Keys to the Garden: New Israeli Writing
(City Lights, 1996), the first collection of its kind in any language.
He has also translated two books by the Cuban poet Jos Kozer, Projimos
/Intimates (Barcelona, 1990), and The Ark Upon the Number
(Cross-Cultural Press, 1982). In 1993, the Singing Horse Press published
an original prose work called the cairo notebooks. A book length poem,
dedicated to the Bosnian town of Srebrenica, from the warring factions,
came out in 2002 from Beyond Baroque in Los Angeles. His translations
of Semezdin Mehmedinovic, Saraevo Blues, and Nine Alexandrias
(both published by City Lights), have been prominently reviewed. A co-translation
(with Oz Shelach) of Outcast by Shimon Ballas is due out from
City Lights in Fall 2006. A new book of essays, A Little History, is
coming out from Beyond Baroque in 2006; Scrapmetal, a work
of mixed prose, poetry, and criticism, will be out in the Heretical
Texts series from Factory School in the Fall of 2006. The Selected
Poems of Faraj Bayrakdar, a project by the New York Translation
Collective, edited by Alcalay with Shareah Taleghani, is also due out
from Beyind Baroque in 2006.
He
has been a regular contributor to the Village Voice Literary Supplement
and his poetry, prose, reviews, critical articles, editorials and translations
have appeared in The New York Times, The New Yorker, Time Magazine,
The New Republic, The Jerusalem Post, Grand Street, Conjunctions, Sulfur,
The Nation, Middle East Report, Afterimage, Parnassus, City Lights Review,
Review of Jewish Social Studies, The Review of Contemporary Fiction,
The Michigan Quarterly, Caliban, Paper Air, Paintbrush, Mediterraneans
and various other publications. He has been a regular contributor to
the two most prominent publications in former Yugoslavia, the Croatian
weekly Feral Tribune and the Bosnian magazine DANI. An activist on many
domestic and international issues, he is one of the founders, along
with poet Anne Waldman, of the Poetry Is News Coalition.